WEB 2.0: Reality Show (2009)

Cirkulacija 2 as a part of Netart Community Convention (NCC), from 24th to 29th November, 2009 uin Graz – at multimedia lab MedienKunstLabor in KunstHaus Graz. The topic of NCC is web 2.0 critical discourse (the mass phenomena of web logs and of social nets), and lets try to find some points for further thinking.

Circulation and WEB 2.0 – Reality Show

In the previous years I have touched some similar topics and presented some short critical views and usually attributed it to the so-called consume. Even so to write it now as Consume – and the critical approach as AntiConsume. Of course – in the sense of AntiChrist, but the negation came out to be inverted (AntiConsume=GOOD; AntiChrist=BAD) – so the thought went into direction – is the INVERTED maybe the PERVERTED?

As the title shows, my critical observation is on the level of today’s phenomenon – the reality show. Reality show – as I observe it – encompasses the following relations = definition: a make believe world of commodified consumer democracy without any relation to constructed time anymore – the history – the consumation of time and life – in real time. At the same time I don’t like too much the word phenomenon, because it usually means that there is something outside that one has to deal with seriously – analyzing it.

The web is of course just one of the metaphoric situations – a representation of some previously materialized relations – constructed human realities. As such it is part of the culture -. though one might rather call it the folklore.
The basic difference of “reality show” reality would be in perspective – who is observing who. The process of observation is amplified with media and the focus presented with media used to be in the direction from the side of many – to the side of few. This reality was verbalized some decades ago by Peter Handke, when he said that no-one is interested in the petty stories of ordinary people’s lives. This has changed over the years into what can be called reality show. Ordinary people observe ordinary people’s lives in a kind of narcissistic gaze into their own reflection in the mirror.

Returning to the internet, there are many many terabytes of the content. Slogans like “broadcast yourself” (youtube.com, flicker.com, myspace.com,…) are calling out to be filled up with any kind of content. At the same time there is a fierce battle going on to secure the privately owned content – the commercial private property – that is not supposed to become part of the freely available content. So the first differentiation here should be between contents: the “real” content and the “meta” content. One could also look into the real content and divide it into “fiction” content and (hm?) “civic” content. The first is for consumation of (leasure) time – it promotes individual passivity, the other is for individual education and collective (social) activation. But it is not so simple, because there are representations everywhere. In fact, it might be that there is nothing but representations! Still, one needs to construct the system of hierarchies. I will return to this later.

The “meta” content is a mere prolongation of the tv reality shows. TV democracy became internet democracy (remember Obama?). The consume democracy or consumed democracy or democracy of Consume? And of course: the Ruling of Consume. Consume as ideology. The structure can be made from inverted relations: the objects in the truth table can be holes. Inversion or perversion? One just has to adapt the definition of what is ideology. There is an observation point that sees the consume ideology as a free market economy and even as democracy. The common denominator (the signifier) that reveals the conformity / complementarity of both views is the unit of evaluation. It is money.

A critical gaze must unveil what is hidden away – behind a veil or behind a mirror. There are always both the veil and the mirror. The mirror because the narcissus must marvel at his own reflection – not to look at what is hidden behind. So: the representation. Most of theories use mechanisms of image, reflection, substitute, simulacrum, representation, etc… as principles to distinguish between the thing itself (the thing more “real”) and the it’s manifestation (the thing less “real”). It would seem that there are always two mechanisms at work: narcissism (the mirror) and the veil (seven veils). The first blocks the unveiling.

The hierarchy of “more real” and “less real” is for me the basis of any evaluation system and therefore also the basis of any ideology. It forms the system of truth. Any kind of system is a machine with predefined relations that we use without too much thought – in an instant. It is an instant mechanism. With such mechanism one doesn’t think – one knows. This is not an all-together positive thing, isn’t it?

But at least, with system that is known to be at work – like a known definition of ideology – one knows that the knowing comes from the specific system’s truth table. Without the ideology being identified, the knowing might be regarded to come from some mythical or even natural predefinitions of what is what. The more one returns into the cultural past – the less one is able to free himself from the bondages of automatic knowing.

Social networks on the net are often used for good reason, mostly as tools to create a common platform for more people to work on the topic and share. But meta social networks are the platforms for meta self-amplification – self promotion. They belong to the consume market of leasure time. Another offer in the line of identities consume market, where anyone can become one of the identities on the market – to present himself and “express” himself. A production of virtual identities, borrowing of predefined and served models of identity clothes, masks. So: if one is not for real (well – nothing is for real…), one can be for fun – in your leasure time.

Terabytes are garbage cans. Garbage cans are filled with human vanity, built on the idea of the virtually unlimited range (the electronic amplification) of access to the most far-away places on Earth, but usually localized within a nationally predefined network. Hundreds of net-friends are mostly consuming many hours of time and prohibiting the time being spent for more concrete preoccupations. Addiction is another relevant point. It seems that addiction is not limited to concrete (bodily) actions. A representation seems to be good enough. An idea – a potential of reality – is addictive.

To go further into consumation of leasure time: it seems that the leasure time industry is going into direction of becoming more and more virtual (as opposed to real or even material – concrete – like tourism). The distribution of virtual leasure time goods is simple. It is even filled constantly by the consumers themselves – the self-produced meta content – eliminating the need for the creative industry for this sector. Well, the platform has to be paid for.

I will touch now the popular topic of economic crisis. In the time of atomization (it is called individualization of society) of civic social structures (and the self-motivated collective actions of the pedestrians themselves) and replacement of it by state, international and/or corporation meta civic organizations, the only real moment of atomized person is to earn money to provide for the quality of leasure time consumation. Atomization however stops on the basic level of human partnership – the family. One should regard family as the most primitive of human organizations. A tribal organization is much more civilized and advanced as a human organization. One should therefore observe the vacuum that exists between the family level and any of the more advanced existing organizational models.

So, one point of freedom, and maybe decision, is to provide means for your leasure time. Does anyone enjoy the work? So – tuned with the economic crisis: the work is becoming a luxury, a commodity. In tune with the virtualizing of the reality of work comes the virtu-reality of the consumation of leasure time – a luxury not easy to afford. Therefore the need for lowering of the prices / the virtualization of leasure consumers goods.

Ok, I did go too much into trying to understand the phenomenon. Now to get out of it. Realities coexist and they can be localized (ideologically = ideolocalized…) – and protected – from within. Protected reservations. The existing truth systems do not help – they are all consumed. Marxism = consumed, psychoanalysis = consumed, structuralism = consumed… – all academic environment = consumed. New systems have to be invented. At the basic level – the individual – personal mythologies have to be invented. The civic initiatives between the family level and the professional level have to be re-invented and re-established. It is the solution of temporary autonomous zones of Peter Walker – Hakim Bey.

It is all about open source code and learning some appropriate programming language…

Borut Savski


Events so-far:

2024 Antez: “No Es” [dekstrocentrično kroženje] + [disrupeak] Umetniški disruptiv = vrhunec + [ekskluzivno=inkluzivno] EDEN – LORIOT – TANTANOSI trio in IRENA TOMAŽIN + [v petek] Pau Delgado Iglesias – PRISLUHNI / LISTEN + O = Kržišnik, Podgoršek, Fukuhara, Svetlik + Daniel Leber – PSYCHO SOMA + Vida Vojić :: DRUGAČEN GROOVE JE MOŽEN! [s kolegi poeti…] + [vnebovzetje] Umetnost je poletna pisarna + WILHELM GROENER: 33 SKIZZEN_Cirkulacije 2 + Radart #15: Raz(n)čaranje + avObrat: praznovanje mednarodnega dneva glaaazvoka + SUMISH IN ATSUKO PLEŠETA … + MILOST + Benefit za Boštjana Leskovška – pionirja umetnosti zvoka in poezije po pošti + [multimedijska postavitev] Urška Savič: Teritoriji vračanja + OTS(Organsko Tehnološki Skupek) avtorjev: Mirica Ačko, Liza Šimenc in Q700-UPM + ℕiaℕsa in FriFormaAV: Ka Baird (ZDA)+ OKA (SLO) + Tomaž Kolarič: DIALOŠKOST IN EMPATIČNOST / pregledna razstava + Glitch trigger#1 + Rastišče + [na praznik kulture] Niko Novak – Poslednji med velikimi croonerji | Last of the big crooners + [last minute] vrhunski avdio-vizualni duo MSℍℝ (ZDA) v ŽIVO z MASℍ MAℕIF OLD + [Diskurzor 004] Konzervacija+restavracija v okviru Cirkulacije 2 + 2023 Vesele praznike in pogumen vstop v leto 2024 + ART-MUS: Sejem umetnin in praznik umetniškega izraza! + Aphra Tesla, Stefan Doepner archAngel Incorporated / 8 duš + VIDEOPISMA / Henrike von Dewitz in Simon Svetlik + [sreda] Prepared Surroundings 2023: 15. mednarodni festival eksperimentalnega zvoka + [torek CoFestival] Kolektiv NDA Hrvaška: Predstava, ki nastaja + Translacija | Traslación: Rdeče niti #Cirkulacija 2 + dvojna Friforma: WERCKMEISTER kvartet + Mladi Raziskovalci – kvartet + Osnovni delci Cirkulacije 2 na festivalu IZIS Koper + [interview] “Cirkulacija 2: The space we share” + Agustina De Vera: Čustveno avdio-vizualni zemljevid :: sledi potovanja v Slovenijo + Tom Winkler :: Stròj1 strôja m (ȍ ó) + [Jazzz klub Mezzoforte] ZORAN ŠĆEKIĆ koncert mikrotonalne glasbe + Ne-festival: KRIK :: PRVI GLAS + Vida Vojić :: PATTERNS LEAD ME HERE + [synthi delavnica] Alwin Weber “NoiseToys – not just for boys!” + Neža Knez in Tin Dožić “PARALELNA PRETAKANJA” + THE ANGEL’S SHARE / Del gre za angelce + Domišljija se razmahne, ko je zunaj slabo vreme | Imagination emerges into weathering + RAM RAM mozaična predstava [zadnji ponovitvi] + Colin Black in Stefan Doepner: The Transmittal Hearing + FAUST : : OBNOVA = večmedijski performens + Excuses Izgovori + KRAČA :: Tatiana Kocmur in Marta Fakuch + [3x v tednu] RAM RAM mozaična predstava + [popopraznična] Pogojna aritmija (z ali brez) + RADART # 14: SONOR(N)OST | tudi v Cirkulaciji 2 + CLOCKWORK VOLTAGE – Patch from Scratch + Francisco Tomsich – Borut Savski = Poletne pesmi | Summer Songs + [8. marec] Anita Wach / 30 Stavkov (Končna rešitev in Boj z duhovi) + VELIKI BENEFIT za Cirkulacijo + Goran Tomčić – “Pompom Nets – Ljubljana” = participatorna umetnost + [fotozvočna instalacija] P L A T E AU R E S I D U E: Zaslonke v pokrajini + [sluhodvod] Tu živijo vsi / Everybody Lives Here – The Third Guy + Stijn Demeulenaere + 2022 [Studio 8.1] Get Together — Dogodek št. 4 – Tobija Hudnik + D•still by Miha Godec / intermedijska instalacija + [veseli december] art-MUS: sejem umetnin v C2 + [skejterji only] “Pet let na svet; hlače spet” = pet za pet v petek + Tjaž in Gizmo :: Glasbena miza + Visual(s) Edition + [Via Negativa vabi] GLASS ILLKA / na predvečer referendumskega dne + Studio 8.1 – Jan Kopač – Vignettes + Fukuhara Lisk Savski :: Dislociran duh + Radharani Pernarčič – PLESNI VODIČ PO KATALOGU UDOBJA + TZUSSS / Silvan Schmid, Tizia Zimmermann, Urška Savič + Maayan Liebman Sharon – INTIMACY / work in progress + Cirkulacija 2 & Stroj za izboljšanje sveta na PixxelPoint v Novi Gorici + FUCKUPTIMEMACHINE by Vida Vojić + [vabljeni] Studio 8.1 / Jan Kopač – Sin_thesis + BIG BANG vs STRING THEORY / big-bend Cirkulacija 2 + Guionnet | Murayama | Filip :: 3 x 2 = 3? + ŽIVI FOSIL / Tatiana Kocmur, Liza Šimenc + Javno dobro in nestanovitni mediji + Nina Stopar – Rojstvo slike | The Birth of a painting + ME SLIŠIŠ :: mozaični dogodek v Cirkulaciji² + ZAKLONIŠČNI TRIO (Estela Žutić, Keiko Myazaki, Gilles Duvivier) + First Terrace Tour 2022: Sofheso, Specimens, Skip Summers, JC Leisure + FriForma: PASCAL NIGGENKEMPER – La vallée de l’étrange / Dolina čudes + [last minute] Zebracadabra: Z/Apophasis – concertanz + Radio Študent TRESK #13: razstava vizualnih natečajev + Studio 8.1: Tobija Hudnik: Get Together, Dogodek št. 3 + Studio 8.1: Tobija Hudnik: Get Together, Dogodek št. 2 + Lapsus-quo / NOTA – Elvis Homan, Boštjan Simon, Liza Šimenc + Studio 8.1: Tobija Hudnik: Get Together, Dogodek št. 1 + Oblak / gibalno-zvočna video kompozicija + Untergrunt poletni jazz festival: Marko Petrušič Petko + Maja Weiss – BELI BOJEVNIK V ČRNI OBLEKI | director’s cut! + KA TO GLEDAŠ / končna razstava študentk in študentov 3. letnika VIST + Neža Zupanc – recital za flavto + Skupni imenovalec | Common Denominator / velika skupinska razstava + FriForma & Cirkulacija 2: Drašlerja in Røysum + Anita Wach: Levica Sredica Pravica & zvočne zgodbe + Draženje očesa // 53. rojstni dan Radia Študent! + Studio 8.1: Jan Kopač + Kasper T Toeplitz: Elemental II & Burning House + Uspavanka za Cirkulacijo št. 2 in druge zvočne zgodbe + KonstruktK3 smo državljani NSK + [neumorna] FriForma: VVU (Violeta García & Javier Areal Veléz) in Primož Sukič + Martina Jurak: Prehajanje : : Cirkulacija 2 + KUD Mreža / FriFormA\V: MRM trio & Lina Rica + Feminizem zavzema mesto! FriFormA\V in Rdeče zore + Prezenca in e-senca akademskega slikarja Dominika Mahniča + [Cirkulacija 2 & FriForma] Dve trobenti: Silvan Schmid & Timothée Quost / dva Seijira: Seijiro Murayama & Jernej Babnik Romaniuk + Emil Memon GRAFFITI finissage! + 2021 beepblip, Tisa Neža Herlec, Lina Rica: Relativna tišina ob zori + Marta Fakuch – Wellness @ C2 + Emil Memon – GRAFFITI + Studio 8.1: Kako živijo ljudje (bonus track) + KUD Obrat: Onkraj 10 let & Stefan Doepner: Humus + Joe Summers: Five New Songs + 1,5 + Diorama: vizualni dialog Tatiane K. in Giampaola P. + Studio 8.1 #4/21 Brina Kren: kako živijo ljudje. + Mladi Raziskovalci IV. – Lenart De Bock – Steps + Tjaž Juvan: NOISTER::C² – cirkus cirkulatio + Dialog 1,5 + Asinhronost / Tatiana Kocmur in Borut Savski + Tao G. Vrhovec Sambolec – Brati (kot) telesa + Studio 8.1 #3 + Šum #16 + zapovedujemo: John Duncan – Ž + FriFormA\V: LĪMEN + Festival Re_humanizacija! + Cirkulacija 2 – Stroj za izboljšanje sveta v Celju | World Improvement Machine in Celje | 2. letnik + Elvin Brandhi – FEAR THE FEARLESS | BOJ SE NJIH, KI NE POZNAJO STRAHU + Studio 8.1 — Kako živijo ljudje, 2/21 + Barbara Kapelj – Lastne sobe | Rooms of Their Own -> WOW + Gonko Doepner Organism + Mike Hentz – KROG | CIRCLE => festival! + Zeleni zvoki Umoblodnice + JazzzklubMezzoforte Cirku5lacijA sVOBODNImEDmEDIJSKIjAMsEssION + Studio_8.1 _ Brina Kren _ kako živijo ljudje + Barbara Kapelj – Mesto prihodnosti / urbanistično-gradbena delavnica za najmlajše + Peter & Alexander = how to keep loudness quiet? | kako ohraniti glasnost tiho? + Radharani Pernarčič & Cirkulacija 2: IZUMIJE CASTRA FIK ARKE + abeceda = Mladi raziskovalci, Osnovna oblika in Serija Tu + Rdeče zore: Ingver in GverilkII + Kvadratni meter: NAJEMNINA + STROŠKI + Duhovi preteklosti oživljeni + 2020 Razširjena Cirkulacija 2: Stroj za izboljšanje sveta + Kovidska (hiper)produkcija Cirkulacije 2 + Neven Korda – SPOMINI NA SEDANJOST + Razglas: Mehatronična delavnica Cirkulacije 2 + Borut Kržišnik DANCING MACHINE (new | neu | nov) album + FriFormA\V: Christine Schörkhuber / Noid (Avstrija) – Razmestitve (zvočne instalacije) + Studio_8.1 _kako živijo ljudje, drugič + Q Hologram 2070: Muzej raznolikosti + Vida Voyage aka Vida Vojić aka lonesome cowboy aka secret agent… + Alessandro Di Giampietro – “Assist” | “Pomagalo” – Ikonografija objema + /// Polymorphic ritual //// + presentation_performance: Sailor_log: 3rd ocean + post_festum: uvertura festivala A dela? v Cirkulaciji 2 + ČAS BREZ DOTIKA – skupinska razstava + FRIFORMA\AV: NOITU – SCATTER_RADAR + Skladnjin skupek #1: ad-hoc koncert v Cirkulaciji | podhod Ajdovščina + Studio_8.1 _kako živijo ljudje + Stroj za izboljšanje sveta | weltverbesserungmaschine + Tatiana Kocmur | Liza Šimenc – MARY JANE + Francisco Tomsich -> ELEGIJA | ELEGY + Program 2020 + Cirkulacija 2: Novice iz podzemlja + Cirkulacija2GO – kot Feniks! + Cirkulacija 2 uspešno izseljena! Exodos completed! + [izseljevanje] Cirkulacija 2 na prelomu + 2019 [napovedujemo] Javno-zasebno partnerstvo! + Angstblüten II / Timor Flores II + Nikolaus Woernle et al. – MODULAR MONSTER + Elvin Brandhi: Pozdrav žetvi in nastopu mračnejšega dela leta! + Dre A. Hočevar et al – Verso Doxa / celotedenski intenziv + Terraformer predstavlja: Ž, Neo Cymex in Kikiriki + Robert B. Lisek & Cirkulacija 2: UI za umetnike – AI for artists + Boštjan Čadež: Gospod Procesor, razumete življenje? + B-stran: Lab Irint + Dominik Mahnič – 1/200 + IvAnKe – Outsukisama | performens/ predstava + Rdeča Raketa & Patrick K.-H v Cirkulaciji 2 + Doepner & Summers: Drevesna harfa (ali: Samo drevo nas je), prvi del + Vida Vojić – Sen novih zgodb + RAZPROSTOR – razstava in večmedijski dogodek + Skrivni svet Noldusove + RHIZOMAS /Ryuzo Fukuhara, Tracy Lisk, Stefan Doepner/ + Urška Preis & Kaja Janjić – Razgaljeno + tridnevna kitarska šagra: Gino Lucente – Sagra + Sukitoa O Namau & Joe Summers live + Joe Summers | The Last Of England – live score + Tristo tisoč duš na ljubljanskem gradu + RADART #10: X/L Experiment: Radio Tovarna + Cirkulacija 2: Kakofonija kakovizija v Osmozi + ALUO uho in ALUO+C2 praktikum + Program 2019 + 2018 Ne(do)konč(a)no… + “-O-” = Simon Svetlik, Ryuzo Fukuhara in Takatsuna Mukai v C2 + Sound Chambers Series vol. VIII meets C2 + “Bodi Jimi tudi ti!” – delavnica na Gradu Kromberk | Pixxelpoint 2018 + C2 na festivalu Umetnosti in robotike v Trstu | C2 at the Festival of Arte e Robotica in Trieste + Biti aparat | biti umetnik = Roboti risarji + Simpozij Umetnost umetne inteligence | The Art of Artificial Intelligence + Exodos: C2 v Helsinkih / Finska + Jesenski dnevi tečejo | As autumn days go by… + MED, CIMET, ROZINE IN ČAS balletkvintet + Večmedijski skupinski dogodek: MED ZVERJO IN NEMOČJO + Anže Sever – Rob + friformA\V / 16.08.2018 / Lina Rica (HR) / Bálint Bolcsó (HU) / Samo Kutin (SI) + Neven Korda – Daj mi mir! + Petek trinajstega: Trije zvočni pari + Vida Vojić: poezija, zvok in glas + Špica Ljubljana: Alessandro Di Giampietro – Thinga Things | Stvari + Jana Jevtović & Engin Can: Teleskopiranje | Telescoping + oOo! 5. oOobletnica poOovezoOovanj v C² + Izračun Slepih Pilotov + A Pit of Koelse | Luknja Koelse: Sublimacija znoja + Velenje v Ljubljani: Kutwyv + Nova londonska scena | New London underground Specimens, JC Leisure, Vida Vojić, Joe Summers + John Duncan “The TELL” = svetovna premiera + In vendar se vrti | Eppur Si Muove + Cirkulacija 2: Program 2018 + Disinformation + Savski v Coni + Alte Lezbiše Kunst; zvočni performans + 2017 Kikiriki in ROR v C2 + Doepner in Savski na Robotics Anteprima v Trstu + Marko Batista – Uspavanka za CIRKULACIJO + Nez Pez // Pez Pushing + Maribor: Ambasada Cirkulacija 2 na MFRU + Stiropor = ekspandirani polistiren + Klaus Filip (Dunaj/ Avstrija) ::optosonics:: + HuXterlTronik = Dani Bedrač + ::vtol:: = Dmitri Morozov + Peter Rauch: Ponavljanje – samostojna skupinska razstava + Knjiga oglja / DopisovanjeM + Monika Pocrnjić – SVAROG.3 + Ponovni vzpon Poljske kraljice! + Tatsuru Arai – Arkhitek-ton /+\ Tinitus – Ljubezen je hladnejša od smrti + M / DopisovanjeM + Tanja Vujinović – Univerzalni objekti (Eksplozije, BBFs2, Tihožitje) + Mešani dvojni trojček | Mixed double triplet = Mike Hentz, Javier Areal Vélez, Strunarja + Derek Holzer – VECTOR SYNTHESIS | VEKTORSKA SINTEZA + OPERA ROBOTANIKKA GENESISI Karl Heinz Jeron + ZASAVJE NOISEFEST v C2/Tobačna/Ljubljana! + Adam Donovan & Katrin Hochschuh: Psychophysics Machines and Swarms + Ewa Justka at Robotanikka: Light = Sound || Zvok=Svetloba? + Robotanika: Genesis + Mini Maker Faire @ C2 Tobačna Ljubljana! + Z.B.Ø.R. (Boštjan Perovšek, Marko Košnik, Borut Savski) + Alessandro Di Giampietro – Whatever you think I am that is what i’m not + Seppo Gruendler in Josef Klammer – Mali pribor | Kleines Besteck + Cirkulacija 2: Program 2017 + Preko vode do svobode v Kinu Šiška + Luka Prinčič: Razpoke vmesnika IF4Q + 2016 Duplerica: Boštjan Čadež “ROJ” in DivinaMimesis “AUTOBIOGRAPHICAL ANIMAL” + Simfonija groze. Happy New Fear 2017! + RADART #7: RADAR NAD TOBAČNO + Zaprtje -> Dominik Mahnič – Kosi 2014-2016 + Robotanika na razstavi Robotica v Trstu + slikarska razstava -> Dominik Mahnič | Kosi 2014-2016 + John Duncan v C² ! + Simptomi meta mesta #37: Želja + Anyma na obisku v Cirkulaciji 2 + MC2=Ǝ / gibalna razstava + Neverjetno! 10 let Cirkulacije 2 + Herman & Savski: Vračnica in bali; druga javna vaja + Nina Dragičević: Parallellax release + V nedeljo se dobimo: Na stalnem naslovu najinega početja + Robotanika = C2 gre v Velenje + Herman & Savski: Vračnica in bali; prva javna vaja! + 3. avgust 2016: Niku Senpuki & Emerge, pavleisdead, Emerge & Neven M. Agalma + Atlas of Tremors v C2 + Zasavje NoiseFest 2016 v C2-labu! + Klima: Nedekadentni koncert? + DekaDANCE + Mike Hentz: Živa umetnost kot raziskava kulture in življenja + Napovedujemo: Klima, dekadenca, človek|stroj + Kdo je Mike Hentz + Dogodek O5 v C² + V iskanju izgubljene enostavnosti + Urkuma in ROR v C² + April/ maj v Cirkulaciji 2 – uvod v antidekadenco + Sejem Dostop do orodij | Access to Tools + Dobrodošli na ATT/AND Rijeka – Semenj umetniških orodij! + 2015 happy new fear 2016 – zabava na žicah + Oscar Martin: Ekstremni Atraktorji v C2 + Jesenski odmevi Hrup smo mi: Dušan Zidar + Jesenski odmevi Hrup smo mi: Arturas Bumšteinas + Predstavitev C2 tehnologij na #MTFCentral + šmarnica in cvičk v C2: N’toko in Igor Vuk + Cirkulacija 2: Showcase 0.3 = prigodna razstava preteklih in prihodnjih del in opravil + Hrup smo mi::Kulturni vmesniki + Strictly Analog 3# in Svetlobna Gverila v Tobačni & C² + RADART #6 :: RADAR RIZOM :: 4 LETA PLATFORME RADAR + Ars ac²ustic²a -> ART’S BIRTHDAY PARTY, 16. januar 2015 + 2014 Happy New Fear! + Hrup smo mi: Prostor časa | Space Time + Microbot (Stelarc in Doepner) v Cirkulaciji² + C² – otvoritev novega prostora Cirkulacije 2 + Smernice razvoja: Prostor časa + 2013 VELIKA POŽRTIJA – sobota 21. december ob 20.00 + Arduino praktikum = novodobni tehno intenziv + Dva ugrabljenca z MFRU: John Smith in Oscar Martin + C2 / Platforma za totalno umetnost: Tri socialne skulpture + Izjava Cirkulacije 2 – skupine začasnih uporabnikov Roga + Globoki temni gozd + Zvok organizma – Organizem zvoka + Fruity-Box (Karl Heinz Jeron v Cirkulaciji 2) + Taste of Vtol/ Okus Vtola + Redno letno srečanje ljubiteljev cirkulacije + 2012 Cirkulacija 2: pričetek predstavitev in delavnic Uvod v arduino v RogLabu + Multipla cirkulacija – socius urbis / otvoritev RogLaba + Interšmano = Cirkulacija 2 praznuje… + Sajeta 2012, tehnološke delavnice -> Združene sile C2_TO + Tri muhe na en mah: Cirkulacija 2, Konrad Gęca in Ana Raquel Pereira + Cirkulacija 2 v Zagrebu – galerija Močvara, 9. -13. junij 2012 + Total Noise Session #3 – Marcus Beuter = umetnost zvoka + v Cirkulaciji 2: Uvod v arduino + Kunst und Brot – Salon des Refusés 2012/1 + 2011 Drevo spoznanja in Hrupni robot v C2 + Platforma za totalno umetnost na MFRU 2011 + testna verzija: Urbi et Orbi intervencija – v vašem mestu, ko pade noč… + Paralelni svetovi na Metelkovi + Cirkulacija 2 na Sajeti 2011 + Cirkulacija 2 na Svetlobni gverili + 42 let RŠ – platforma RADAR + Redundantne tehnologije – zbiralna akcija + Cirkulacija 2: Space is the Place + Indija v Cirkulaciji >< Cirkulacija v Indiji + 2010 Zvoki Cirkulacije 2 na Novem trgu v Ljubljani + Razširjena Cirkulacija 2 na Pixxelpointu + C2_Kiblix_Mfru_Haip : Total Noise Session v Cirkulaciji 2 + Jesenski sadeži Cirkulacije 2 + Social Noise Session + C2 na Paralelnih svetovih na Metelkovi + Cirkulacija 2 na festivalu Sajeta 2010 + New media drivers feat. Cirkulacija 2 + Expanded Cirkulacija at Alkatraz – wrapping up + Expanded Cirkulacija at Alkatraz + Cirkulacija na Vstop prost v Celju + Cirkulacija 2 prejme Zlato ptico + Predstavitev Cirkulacije 2 v Novi Gorici + Cirkulacija 2: Pomladanski zvitki in Mehki zvoki naveličanosti + Cirkulacija 2 gosti vegetarijanko, aktivistko, umetnico, glasbenico in galeristko Reni Hofmueller + 2009 Cirkulacija 2 na Netart Community Convention v Grazu + javno snemanje: Analogična kompozicija + Reality show – “voice-noise karaoke” + Moška umetnost / Male art + CIRKULACIJA 2 na festivalu SAJETA pri Tolminu + Prostor zvoka = telo zvoka + Cirkulacija 2 in Antikonzum + Netart – krompir v žerjavici + 2008 Cirkulacija 2: Vladavina Konzuma + Majda Gregorič v Muzeju premoderne umetnosti + Transpozicije prostorov na Paralelnih svetovih + Odprta Cirkulacija 2 + Cirkulacija na koruzi / Dario Seraval v Brlogu + Napoved: Cirkulacija pod pritiskom + Elektro / Elektra + Zvočenja v Cirkulaciji 2 + Novi okusi Cirkulacije 2 + Video: Kerber nezavednega + Kerber nezavednega in druge zgodbe + Okus Cirkulacije 2 – st. 3 + Video: Event C + Čisto običajen večer v Cirkulaciji 2 + Totalna razprodajna razstava umetnosti + Event C: Taljenje umetnosti v dogodek + Hobotnica s polento + Brlog + 2007 Rotirajoči dogodek v Cirkulaciji 2 + BRLOG + Predstavitev Trivia Records / Zapisi v Cirkulaciji 2 + Razbita lepota, Broken beauty + Reanimacija Cirkulacije + CIRKULACIJA 2 v tovarni Rog nadaljuje + Boj se kreativnosti oblastnikov! + INTERDISCIPLINARNA POSTAJA CIRKULACIJA 2